Each bird sang an individual song, produced by piped water and air. The fountain was designed by Pirro Ligorio and built by Curzio Maccarone between 1567 and 1570.
The Fountain of the Dragons was designed by PIrro Ligorio to illustrate the story of Hercules fulfilling one of his labors by stealing the golden apples of the The fountain is located on the central vertical axis of the gardens, aligned with the Villa, and in the center of the original garden.
In 1599 it returned to the Este family with the nomination of Cardinal Alessandro d'Este (1538–1624). The modest modern entrance to the Villa, next to the Church of Santa-Maria Maggiore
After the death of Leclerc Venard invented the ingenious mechanism of the water organ, which was installed in 1571. In the 16th century the lower garden, below the fishponds, was originally largely a kitchen garden. The rooms are less formal than those of the apartment above; they were used for private moments in the life of the Cardinal; listening to music or poetry; conversation, reading, and religious reflection. The fountain itself is a separate structure, entirely covered with polychrome tiles. The fish ponds seen from the Fountain of the Organ A statue of ‘’Mother Nature’’ or the ‘’Ephesian Diana’’ was placed in front of the arch in 1569; it now has its own fountain in the lower garden. The center of the lower garden was divided into sixteen large squares, with a pergola in the center of each section, surrounded by beds of medicinal herbs and flowers, and large pots of fruit trees. This musical feature was admired and copied in other European gardens, and functioned until the end of the 17th century. At the top, above the niche, is the coat of arms of the d'Este, held by two angels. On the top of the artificial mountain is a statue of the river god Aniene, holding in his hand a miniature of the Temple of the Sibyl.
The Fountain of Venus in the courtyard retains its original appearance It suffered bomb damage in 1944 during World War II, and many of the walls were degraded in postwar years by environmental pollution, but campaigns of restoration and protection have managed to preserve intact the famous features of the villa and gardens. He did not return to Tivoli until the summer of 1555. The Fountain of Persephone is located just above the Fountain of the Owl; a stairway connects them. The ceiling of the corridor is decorated with mosaics from the late 16th century, representing a The complete construction and furnishing of Ippolito's apartments was completed in 1572 when Ippolito was on his deathbed.The Fountain of Neptune below the Fountain of the Organ Fresco of Hercules welcomed to Olympus, on the ceiling of the Hall of Hercules A d'Este eagle among the spouts in the Hundred Fountains
The jet of the Fountain of the Dragons, viewed from below In September 1555, however, he was accused of The plans for the villa itself were carried out under the direction of the Ferrarese architect-engineer The frantic work on the project began to slow in 1569, probably due to the financial difficulties of the Cardinal, who had no more hope of being elected Pope and had lost his lucrative French positions. Originally it contained the statues of two youths holding a goatskin which poured water into a basin held by three satyrs. The Fountain of Rometta is located at the opposite end of the Hundred Fountains from the Oval Fountain. The Courtyard of the Villa was originally the cloister of the convent The fountain was restored in the early 18th century by Cardinal Alessandro d’Este, who added the white d’Este eagle to the top of the ‘’castellum aquae’’, and ornamented the facade with statues of In 2003, after a long and delicate restoration, the organ was able to play again. He spent more and more of his time in the villa, reading and meeting with the leading poets, artists and philosophers of the Renaissance. As a result, features of the garden influenced and were imitated in other gardens across Europe, from England to Russia. As a second son, Ippolito was destined for a career in the church; he was named archbishop of Milan when he was only ten years old. In the center of the miniature city is a large statue of A new feature was added to the Fountain of Rometta in the early 17th century; an artificial mountain, pierced by grottos and caves, to left of the city buildings.
Work on the masonry structure began in 1566.
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